12 November, 2019
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Mirò’s Poetic Dream

by Giulia Venturini

The art of Joan Mirò on display at Palazzo della Corgna in Castiglione del Lago

“Ubu Roi” (1966)

 

The art exhibition is visible until the November 4th inside the rooms of the noble building designed by Vignola and Galeazzo Alessi, which is named after  the Marquis della Corgna. The exposition is curated by Andrea Pontalti, promoted by the municipality of Castiglione del Lago and organised by Sistema Museo and Lagodarte in collaboration with Aurora Group.

The vision of Mirò

The event gives the opportunity to discover this wonderful artist through seventy graphic works that are part of four complete sets. They were created during a period of ten years: from 1966 to 1976, in the artist’s maturity. Ubu Roi (1966) is composed of thirteen colourful lithographs, in which shapes and  volumes seem to move freely in the space. Furthermore,  Le Lézard aux Plumes d’Or (1971), Maravillas con variaciones acrósticas en el jardin de Miró (1975) might be admired in the spaces of the palaces: work arts characterized by black marks and vivid colours. Another remarkable work is Le Marteau sans maître (1976), a tribute to the poet René Chair, one of the most distinguished personalities of the twentieth-century French literature. These art works tell the artist’s poetic dream and its peculiarity, which consists of transforming the fantastical images into a personal language. These lithographs show the relationship between text and illustration that characterize that artistic phase: a book is something that has to be carved in the marble – in the artist’s opinion.

 

An immersion in colours

The use of colour and the very personal world of marks derives from the Mirò’s approach to the world of art: his curiosity, the capacity of renewing himself and of exploring different paths. The dark marks and the bright colours, from blue to yellow give life to personal dream visions. Visiting the exhibition means immersing yourself in the language of the extraordinary Catalan artist thanks to less known art works, but which offer an important glimpse of his expressive power.

 

“Le Lézard aux Plumes d’Or” (1971)

 


Palazzo della Corgna

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