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The Associazione Priori of Perugia, presents Inverso by the artist Danilo Fiorucci, an unusual hanging installation inside the Torre degli Sciri, that will be open until the 31st of August 2017.

A site specific project

The Torre degli Sciri is the only remaining tower of the many medieval towers of Perugia. It is the first time that the building hosts an art installation. About this event the Associazione Priori  says: «We decided to open a dialogue between the culture and the creativity of the tower, making the most of its history through new expressive languages: a contemporary site-specific art project that aims at promoting a new interpretation of the tower heritage through the unconventional sight of the artist».

Inverso - The Absent Space

From his evanescent and ethereal paintings, with fluffy and fast brushes, Fiorucci comes to realize his painting in a sculptural gesture as fast as polystyrene. Shaped, then cut and overlapped layers form abstract sculptures, compound vortexes, eliminating «the material that hides form.» Emptiness, not as simple denial of the full, but as an existing entity itself, space between the things that identifies and distinguishes them. New matter that aristotelically, fills the absence. In a reverse way, the memory of a loved one fills his absence. Inverso, therefore, is the inner voice that does not use words, an unnamed body, the absence of the art that becomes presence, the sign of poetry that teaches us the way for the comprehension of nothingness. Immersed in an enigmatic and suspended silence, Fiorucci’s sculpture inside the Tower is like the white cloth lying on an inexplicable footstool on Pino sul mare by Carlo Carrà, like the white Suspended Sphere of Alberto Giacometti, with a color that evokes «The absence of color, the feeling of emptiness, the archetype of the absolute and the light.»

The Tower's Deal

The Sciri Tower is the only survivor of the seventy medieval towers that went to Perugia for the nickname of turrita. Built in the second half of the 13th century, the tower, 46 meters high, is probably one of the 12/14 towers built by the Commune for defensive purposes. It then went to a private destination, being the property of the noble family of the Sciri from which he named it. The coat of arms of this family stands above the main entrance of our building. The family disappeared in the fifteenth century and the tower had to go into properties at Oddi, which had possessions not far away. In 1680 Caterina della Penna, Oddi’s widow, gave the structure and its annexes to Tertiary Franciscan Sister Lucia Tartaglini from Cortona, who instituted an Educated for poor girls. He then went to the Oblate Sisters of San Filippo Neri, who held her until about 2011.
Today, the property of the Municipal Administration, has been restored and subsequently reopened to the public by Associazione Priori. In addition to guided tours, there are artistic, musical and theatrical events.
 

 

 


Inverso – Lo spazio assente
Setting by Danilo Fiorucci
Sciri Tower, Perugia
July 6th– August 31st, 2017
Edited by Claudia Bottini
Openings in July
From Monday to Wednesday: 10:30 – 12:30 | 18:00 – 21.00
From Tuesday to Saturday: 10:30 – 12:30 | 17:00 – 21:00
Sunday: 18:00 – 21:00
Openings in August
Fridays: 10:00 – 12:30 | 19:00 – 21:00
Sundays: 19:00 – 21:00
August, 12th: from 21:00 (Event: staring at the sky by Starlight. For groups of 22 people every 30 minutes. 5 € fee, free for kids up to 12 years old).

One of Balzac’s porttraits displayed in the exhibition in Castiglione del Lago

In order to remember the centennial of Pablo Picasso’s trip in Italy, in Castiglione del Lago has been organized an exhibition of more than ninety works made by the artists.

 

Inside the beautiful Della Corgna Palace, until November 5th, will be displayed Honoré de Balzac’s portraits, etching and aquatint illustrations, graver-carved tables, sculptures and ceramic work of arts.

Openings: everyday from 9.30 to 19.00

 

 

 

 

More on Castiglione del Lago

Paciano, a delightful village of just nine hundred and forty inhabitants, is placed on the green hills overlooking Lake Trasimeno. It’s known as one of the most beautiful villages of Italy (Borghi più Belli d’Italia) and it has been chosen by many foreigners as the ideal place to buy a second home; it hosts an atypical museum within the Seventeenth Century Palazzo Baldeschi in the heart of the historic centre, whose main aim is to show-off its rich heritage made up of memories, recollections, and accounts of craftsmanship and know-how.

This is Trasimemo, a memory bank, a museum of artisan wisdom for all of those trades and occupations that were part of daily life on the shores of the lake.

what to see nearby lake trasimeno

Community's Jewel in the Crown

TrasiMemo is an innovative project the residents of this small town wanted and were keen to have.  They are keen to preserve an heritage in which they see a generous propulsive thrust toward a future of renewal. On entering the hall of the museum, the feeling of community is palpable. It is not uncommon to find local citizens volunteering at the Info Points; each one of them has a story to tell or a tale of a particular local character which enriches the visit to this unique museum.
The setting and decor is very pleasant. The ambience is welcoming, the typical noise of work introduces visitors to the reality of artisan crafts through sound; warm lighting illuminates the path and draws attention to details that should not be taken for granted. The exhibits are organised through an archive to clearly indicate where various types of documents are held, divided into four main areas: iron and metal working, wood, terracotta and textiles.


Memories

Dear Visitors, you will not find big book to study; you will find drawers full of treasures: embroidery bobbins, coloured threads, loose, grippers, files, planers and then designs, colours and majolica. Every drop of traditional handicraft summed up into small objects that have strong evocative powers. And then there is the register, full of faces of those who still work with passion in the craft or those who would like to pass the baton to valid heirs.

These craftsmen are the protagonists of the stories on the walls of TrasiMemo and suppliers of the material stored in the Bank of Memory; they support many of the works that still form part of the urban fabric of the village and they also take part in the workshops run by the museum. From time to time, it is possible to participate in the workshop which is available for both adults and children, in order to try out the real handicraft work!

A Smart Museum

Visiting TrasiMemo is exciting for everyone. In addition to touching and seeing important and fascinating objects, there are four large summary panels, one for each area, which recount anecdotes and secrets linked to daily life and to the history of that profession. There is also the use of multi-media content to make the museum experience more interactive.
The wall of words or, to use technical jargon, the wall of the semantic fields, provides the exhibition a great visual impact. Visitors are encouraged to have fun choosing and taking pictures of the one that best describes their visit, to remember it. On leaving the museum it is important not to forget to looking for the symbols of artisanal activity that adorn the streets of Paciano. Public lighting, house numbers painted on majolica tiles and the iron structure of the communal well are just a few examples.
So why you should go visiting TrasiMemo?
«TrasiMemo is a place for everything and everyone: it is for craftsmen and those who have a memory of local knowledge; it is for the people who live in the region and who continue to think of workspaces and life; it is for heritage professionists who, through research, try to protect memory, organising it for the future; it is for visitors who decide to visit the Trasimeno area, wanting to better understand the relationship between its inhabitants, its landscapes and its local resources.»

TrasiMemo, Museum of Handicraft Memory – Paciano

More on Paciano

«More eco-friendly public transports and less private vehicles»: this is the conclusion of European Commission’s debate that produced the Leipzig Card, to point out European transport guidelines.

sustainable transport in perugia

Moreover, as we know, cities represent the territory where men and women tend to gather; we need an increasingly integrated urban policy that covers many aspects, from the environmental to the economic-social-technological ones.
Minimetrò of Perugia, for its technical features and for the services it offers, is aligned with the new ways of urban public transport, that can provide adequate responses, in line with European transport targets.

A Matter of Urban Mobility

Environmental respect is the key for the future and we cannot forget that transports have had the worst performances corcerning pollution for the last twenty years. European guidelines, with the Green Paper of 2007 on urban transports «towards a new urban mobility culture», followed in 2009 an Action Plan and in 2011 by the new White Paper on transports, have repeatedly stressed the need to find less polluting means of transport.

In Perugia, the answer was Minimetrò, a mean of mass public transport, consistent with European guidelines, able to contribute, thanks to its technical characteristics of power supply, to the containment and reduction of Greenhouse Gases emissions, particulates’, carbon dioxides’ and nitrogen oxides’. Using public means instead of private ones, as well as improving air quality, helps improving life’s quality in a city with less traffic and noise.

Liveability and Sustainability

And this seems to be critical if you think about the awareness of citizens themselves to life’s quality, paired with environmental sustainability and urban policies. Just do an introspective analysis: what is the first element that makes us define a city liveable? Transports. Their efficiency, their capillarity, their ability to facilitate life; but also their integration with existing elements, e.g. the other means of transport and the road system itself, distinctive of a place. Administrations’ purpose is clearly plural: they do not want to limit citizens’ freedom, but they also want to reduce traffic congestion, improve the aforementioned air quality and avoid the exponential dilation of travel times. No less important are fuel savings, the ability to facilitate people with reduced mobility and lower incidence rates in traffic. Here’s the circle closes: once again, environmental respect improves not only itself, but also community’s well-being.

minimetrò perugia

An innovative mean of transport, such as the Minimetrò of Perugia, lies exactly halfway between Community policies, administrations’ and citizens’. It is a link aimed to give citizens a better transport experience in the urban fabric, to reduce public financial effort, and to elevate the Perugia to the empyrean of the most livable cities, reaching first the level of the other national ones, where sustainability goes through the enhancement of green areas, participatory policies and urban mobility, and then to reach the European ones, which have been reinventing  in an eco-sustainable way for years. Perhaps we are still far from been awarded the European Green Capital prize, but the Minimetrò is undoubtedly the first step to create a healthy and sustainable urban environment.

 

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